The precision and relative simplicity that digital technology offers has finally caught up with the film industry. Many cinematographers and directors have resisted the transition to film-less cameras due to poor low light performance, or a shallow depth of field, in addition to the resentment that digital files did not have the "film look". Digital cinema has made great advances in recent years, with some of the newest cameras offering superior 4K resolutions, solid build quality, and the same features from all standard film cameras, not to mention a competitive price. Furthermore, using digital cinema cameras allows creative minds to record right to disk, bypassing the necessity for rolls and rolls of film and processing costs, which are all time consuming activities. Film-less cameras can have their footage imported directly into the non-linear workstation, for instant editing, especially when that workstation and editing software could be a modern laptop. Attached is a link to the outstanding RED ONE Digital cinema camcorder.
(Editors note: These cost around $17,000, when you include the lens, 4K sensor, body, and other essential parts, and if I had the money I'd buy one in a heart beat!)








